Tracing, Grids, Etc.
While most artists use special aids, tools or shortcuts, not all are created equal. Some help an artist grow, some just keep them on a plateau, not learning anything new.
Only "talented" people can draw?
It's so sad that people believe this. It causes some of them give up trying to learn how to draw, because they assume that they don't have enough talent. They are mistaken—drawing is a skill that almost anyone can learn, with practice. Even the most "gifted" artist has to practice to become good at drawing. Few artists are born with full-fledged skills, "right out of the box." They had to work to develop their talents.
One of my favorite art books, Drawing on the Right Side of the Brain by Betty Edwards, offers great encouragement to anyone who thought that they couldn't learn how to draw. She believes that drawing is a skill that can be learned, by just about anyone! She helps people find their "gift" for drawing. Her book shows her students' "before" and "after" drawings. Many of her students seemed to display no innate ability in their "before" drawing, while their "after" drawing showed quite a lot of skill. Her methods of teaching the artist to see more accurately are very effective, even revolutionary. And they produce results, as her students will testify.
Frankly, the idea of a "gift" (or innate talent) is way overrated anyway. While it's true that we all have certain strengths and aptitudes, too often we give up before we discover all of these gifts. That's why I think it's great that people like Betty Edwards are helping people discover their ability to draw.
The "misery" of drawing...
There is no reason to expect perfection right away! We all have days where things don't work out, and when we feel like we'll never get it right. But it is not so! Any artist who is feeling such frustration should not feel that all is lost if they can't immediately draw perfectly. It is a gradual process. Giving up and tracing every time difficulties come up is certainly not a good solution.
The Grid Method
Tracing photographs—is there a time to do it?
Such artists (including the "old masters") should not be confused with the artist who has never learned how to draw freehand in the first place. The old masters drew freehand, but may have used other tools and shortcuts. But it should be emphasized: they knew how to draw freehand. (How do you think they drew images like fantasy creatures or rearing horses? They certainly could not have traced these things!)
Some artists today never learn to draw (and instead trace or grid) and rationalize that "it's the same thing as what the old masters did." But it's not the same if they cannot also draw freehand.
Advantages and disadvantages (and, some things just can't be traced).
Artists who can only trace are in a completely different situation. It's trace, or do without. Find the right photo (or take the right photo themselves), or they're out of luck. They then have to take the time to transfer the photo to paper or canvas (or grid the photo to photo or canvas). Whew! What a hassle! And what a lack of options and choices such an artist has!
Also, artists who cannot draw will occasionally find themselves in some uncomfortable situations, when people assume they can draw freehand (and people will assume). These people may lose a certain amount of respect for an artist when they find out they can only trace. "Anyone can trace, but only artists can draw." That's the opinion many people will have.
Certain kinds of art classes (like Life Drawing classes) will not accommodate the tracing technique, or the gridding technique. Students are expected to know how to draw freehand.
Speed and accuracy?
There are always going to be circumstances where not drawing (or never learning how to draw) are not going to be a big issue. But for many artists, it will become an issue (whether they want it to or not) at some point.
Risks and regrets
Don't be a faker!
For many, it boils down to this: Don't fake it. Don't pretend. Don't be a poser. Don't trace a photo then present it to others as something you drew. In other words, don't "lie by omission" by never mentioning that you actually traced it.
This is, I believe, the source of most of the emotion directed against tracing. It's when you are trying to get the same respect as someone who has a skill you don't (in this case, freehand drawing). If you want to trace photos because you just wanna, okay, that's your business and there are a lot of times when that's sensible. But realize that when you say nothing about the tracing part, then a lot of the "Wow, you drew this?" comments your drawing gets will be based on a false assumption (that you did it all freehand). For you to not correct that misunderstanding is dishonest. When you're "found out," it might get ugly. Or it might not (not everyone cares). But realize that there is that risk. Isn't it easier to be honest about it, and not have that worry hanging over your head?
UPDATE: More pontificating about tracing/grids on my blog.
| Home | Portrait in Detail | Color | Portrait & Drawing Basics | Anatomy, Digital Art & Misc. | Study & Lessons | About | Contact | Portfolio |
Copyright © JR Dunster 2002 - 2016 All Rights Reserved
No permission is given to use the information, (graphics, text) on this site in any other way other than for individual use. You may not use, publish or copy the information to a floppy disk or any other type of storage system or device without permission from me, JR Dunster. You may only print out one copy of each page (for personal use only).